Movies

"And when you go don't return to me my love."
My Chemical Romance

~

The door isn't open. Maybe it never really was. But I can pretend. I can always pretend.

"Give me a shot to remember and you can take all the pain away from me."

The shadow of the unknown beckons. I can feel it stretching across the blankness of my mask. The long lost scent of childhood is either dead or undercover. And, I cannot yet unmask this state of shade. The same old heaviness keeps increasing in invisible weight. Let go.

Let go and know that, in non-random fact, the truth shines through your cracks and whispers to your eyes: 'Tomorrow, I will be revealed.' Meanwhile, acrylic delusions frantically blink, staring at whatever colors they'd been spitting on my face. Don't let go.

Bits and pieces of me may well be scattered across the enneagram lines. But, you... do you really think you're swimming in my stream of consciousness? Look around. You're inside your own head. For the lines that, in your eyes, blur out the rest, they're on the other side of the coin you always flip. And they were facing the horizon right before you shoved them in, right before you sold them out to flush the red sea of lies, the one you'd pushed out of your lungs just to decorate that beautiful boring room.

"You're just a sad song, with nothing to say, about a lifelong wait for a hospital stay."

This soundtrack is bruised and broken. It might as well be dead. But our pictures are in motion and they bear no frames - they extend; they extend to infinity. Now the question is right there. It's always been there. 'Are you watching closely?' Are you listening? Are your lines in the script tearing up the fabric of your heartstrings? Do you need to talk to the director?

"Drop the dagger and lather the blood on your hands, Romeo."

Get out. I can't always pretend.

~

"We all carry on, when our brothers in arms have gone.
So raise your glass high for tomorrow we die,
And return from the ashes you call."
My Chemical Romance

Bracelets

"Don't, don't, don't, don't."

Simple Minds

~

It's late and I... I really don't know what to say. Let's see. I'm listening to music to feel better about myself. Sting's Shape of my Heart is playing. "He doesn't play for the money he wins. He doesn't play for respect. He deals the cards to find the answer, the sacred geometry of chance, the hidden law of a probable outcome - The numbers lead a dance." I think anyone would love this song.

Once more, tonight, I'll be hiding behind words. And yes, I know the night is beautiful, even if I can't really feel it. Boyce Avenue's cover of Drops of Jupiter is playing. "Can you imagine no love, pride, deep-fried chicken? Your best friend always sticking up for you, even when I know you're wrong. Can you imagine no first dance, freeze dried romance, five-hour phone conversation? The best soy latte that you ever had - and me." I wonder if I'll ever learn to play an instrument and make someone feel this way.

"Et si j'ai tort de lire dans tes pensées où rien de beau ne m'échappe - à part toi. Seuls, quelques silences m'effleurent encore quand je dors. Je n'ai plus de raison d'aimer. Et tant pis si je me détruis et je fais le tour de tes mots, tes promesses et tes envies d'ailleurs." The only thing that's more interesting than structure is that freedom one almost feels when they break the structure.

It's truly funny how other people's words can get to me more than my own. My veins are emotion-intolerant. Maybe that's why sometimes my heart seems as if it's gonna explode. Maybe I should stop smoking. He wanted to have the bracelet that was made of my heartstrings. And he has it now even though I had vowed to myself that this bracelet would be the final witness to my final pulse. It's truly funny how, sometimes, everything makes sense - even when all that is substance feels too foreign to exist.

"Do or die, you'll never make me. Because the world will never take my heart. Though you try, you'll never break me. We want it all, we wanna play this part. I won't explain or say I'm sorry. I'm not ashamed, I'm gonna show my scar. Give a cheer for all the broken. Listen here, because it's only-"

What are words compared to this? This thing you can't see. This heaviness I don't want to feel. I don't want to feel. Welcome to the dark side of melancholy.

Welcome to the black parade.

~

"Hey, hey, hey, hey."

Simple Minds

Resonance

"Well, bless my soul
You're a lonely soul
'Cause you won't let go
Of anything you hold."
Ryan Tedder

~

Do you know where your heart is?

The hardest questions are those you do not ask. And all their answers are buried in your mental blind spot. Now there are right and wrong answers in this 'visual snow'. Then there's you, covered in the multithreaded blankets of your optic nerve, pretending this blood is acrylic. And I'm there too. Or at least, part of me is. You won't find me beneath the shadow of synchronicity because I won't be there. But perhaps I'll be that forgotten variable that got crossed out by mistake in the mystical equation resonance always wears as a necklace. Crossed out and forgotten, sure, but I'll be there.

My fixation on a number of mysteriously attractive expressions remains unchanged. And that's okay. Maybe they're those empty diners along the road to purpose. I know most people are ideas - I think. And that's okay too. So are you an idea in their life? Are you a road sign or a street light? Are you a traffic signal or a torn bumper sticker? Are you one of those ideas that come with an expiration date?

He wanted to tell her everything but he didn't. Metaphors came rushing to his mind. The light that drowned the river. The moonlight that jumped off tree branches to land on her skin with an assortment of purple morning glories. His favorite fictional friends implored him to tell her about them, about all their chilling moments. Then the voices came and reminded him about the purple death of dawn and the failed birth of stars, the breathless haste and the daunting heart, and... those sudden bursts of heartache that fucking burn every beautiful image in your head. What happened to you?

I don't know. I don't know if there's someone who can save you from that freefall under the sheets. I don't know if there's a remedy for all those who were knocked unconscious by the lies of society. I don't know if this rotten world can be fixed. It's as if there's this force, you know, a force that won't stop erasing people's identities. Is it their doing?

That was useless.

The world is ugly. And the lonely stranger awakens everyday to walk it alone, knowing that, this, it isn't his home. Wherever he goes, the inviolable fabric of existence asks him terribly ambiguous questions.

What do you see?

Come back inside. Get back to bed.

Don't just stand there; paintings are formless. Don't look at me like that. I can see the dense blood drops slowly sliding off the right corner of your lips, you know? And though I'm not sure whether they're dreams or sins and secrets, I know your eyes can smell their rusted scent of despair. I know your heartbeats have long given up on becoming free-floating clouds, hopelessly hoping to swing the self-inflicted gore back inside. I know that you know that the children of a broken cardiac rhythm are but dehydrated, forlorn hands, recurrently feeding you the delusion within the delusion, punching holes through the painting, spitting you out as you swallow the void and exhale the inner child - dead on the dead knees that got tired from chasing you, his soul submerged in a shallow fictional red.

I don't dare you to move. But please, please do. And, for now, it's okay if you don't mind the gap between Kant and Kierkegaard. Because we both know only divine grace can you lift you up. And we both know that not a single soul cares about your inner battle - because they all know you're collateral damage.

No. [...] Because some singers pause their singing only to rekindle the hope beneath the moment.

So let there be light and many, many shadows. And blessed be the brave that are stuck in between, both wound and unwound by the teleologically suspended question, resting invisibly atop the woven waves of dreaded ink.

The question is right there. It's right here.

Do you think you can find it?

~

"People say that it can't work, black and white; well here we make it work, everyday. We have our disagreements, of course, but before we reach for hate, always, always, we remember the Titans."
Sheryl

Symphony

"Juliet loves the beat and the lust it commands.
Drop the dagger and lather the blood on your hands, Romeo."
My Chemical Romance

~

You go inside and you close the door. You drop that straight face to the floor. You shut your eyes to silence the burns beneath the mask. The stranger's whispers in your head say that they no longer recognize you. And you then wander from phantom to phantom in the ghostly castle you had built for your heart. And as the borders of reality fade away, the inner edges grow sharper, harder, darker. I don't expect you to understand. Even I barely get it. There are roads and lines, you see. And while some patterns pull you deeper into the matrix, others push you over and beyond. So, much like metaphors, we float atop the notes of this veiled symphony. And, dazzled and perplexed by the enigmatic mathematics written in its shadows, we remain ignorant amateurs copying answers from one another. The truth, perhaps, is that the answer is the question and its supposed question is, ironically, its answer. And if we keep going backward in that perspective, maybe things make the most sense.

Questions and answers are probably bound by the metaphysical noumenon underlying the phenomenon of quantum entanglement. But none of that matters, does it? Because that kind of universal truth is inaccessible to human beings. Once accessed and comprehended, it is likely to hinder our progress in the quest for purpose.

Either way, I remain in my sea of dysphoria, occasionally saved from this normopathic world by musical bursts of artistic enthrallment. Indeed, most of my words are but sublimated abjection driven toward death by this aporic void. Yet, the music plays on and I am not a fan of tight-lipped melodies. So I'll just keep adding aimless commentary to this boring soundtrack I got stuck on repeat.

Now, you. Battle this delusion of sin and that delusion of reference. Try to put your head around the coexistence of Capgras and Fregoli and after you do that, go back to your room and hang that mask you dropped on this nonexistent door. Then sing the ruins of this imagined tale, and jump and dance on this bed like an uninhibited child. For all you are is a little kid with a pounding heart bouncing on and off an old mattress to shake off the insanity. Now, him. He can unveil that graphic symphony - not you. It starts and ends with a straight line as you lie in bed both born and dead. And there in the middle, all these ups and all their downs, there you go, high, low, high, low; die slow.

Wait go back. Maybe... maybe we can jump on the same bed together. And then, when we get tired we can just, you know, fall asleep and share all those dreams we had buried in ourselves for each other. It always goes back to love, doesn't it?

It does.

So channel the dreamer. Channel the warrior. And channel the believer. Push away the confusion and silence the mind for it is heart and destiny that together one another unwind.

Blessed be the brave, the souls that run on love, with love, for love - infinitely, unconditionally, inexhaustibly.

Break. Breathe. Become.

~

"And I broke my heart in two
One for me and one for you."
Reuben and the Dark

Light

"If I could be with you tonight,
I would sing you to sleep.
Never let them take the light behind your eyes."
My Chemical Romance

~

I try my best.

What if your best isn't good enough?

But what if it is?

The walls slowly close in, aiming to crush my explosive mind. And I keep staring at the foreign paintings that decorate them, the faces of the people I love. I keep telling the walls that I can't breathe. I send them my pathetic requests with broken eyes because the words won't come out. But it's all in vain. For once you turn your back on the walls of your heart, the walls of reality turn their backs on you. Thus, still, hopeless, I remain a fan of the intensely dramatic, as loyal as ever to the wonderful realm of fiction.

Masks divide you. Dishonesty tears you apart. And the most beautiful things you feel remain inside your head. "Once a liar always a liar." "Once a quitter always a quitter." The voices lie because you subconsciously command them to destroy you. To overcome this, you must remember that one can never cheat their way into and out of destiny. Fate's hand floats around your heartbeats to see which are worthy and which are failed. Will remains free though. Someone I once knew taught me that.

But the world is ugly and sometimes the people we know and love, they become forgotten memories.

But sometimes, we meet someone that restores our faith in humanity, in love, in art, in the future.

And when the past comes back to haunt what's left of you, you find yourself just staring, obliviously flooded with thoughts of surrender, with ending credits flashing. "No, hold on," she says. You see a young soul masquerading as a veteran warrior, telling you that the love in her heart can fight off your demons. She hugs you, pushes you and starts running, leaving you with a gentle warning, "if you don't get up and run with me, you'll never know what happens in the future." And as she runs away from your gaze, you see a whisper flowing through her smile, "our future."

Life is full of surprises.

If you haven't met yours yet, I really hope you do.

Now, look around, after you close your eyes. Those people you love so dearly, are they not worth the pain?

Do not stand your ground as you face the storm. Run instead. Run toward it with weapons of heart and soul. Fix your eyes on the mountain you wish to climb and charge. Run with faith and conviction and you will find that they are the perennial wings of cosmic resonance, smoothly extended from your skin, mirrored in the light behind your eyes.

Run and know, that most storms are made-up ghosts. And though some are future dreams disguised as endless nightmares, you still need to keep your eyes closed wide open, because those details are divine.

We live and die in love. And a fall into shreds today is a chance for us to pick up the right pieces, the ones that can make up a whole that won't break tomorrow.

The music plays on within you, no matter how many doors you close.

Live on, dear friend.

~

"As we fade in the dark,
Just remember you will always burn as bright."
My Chemical Romance

Forsaken

"For a while I thought I fell asleep
Lying motionless inside a dream.
Then rising suddenly I felt a chilling breath upon me."
Dream Theater

~

They fail to realize that the universally desired constancy of happiness is but ignorant stagnation, and that unending joy lies at the peak of despair.

And you, you fail to notice the pain,  those miniature supernovas hiding beneath the shadows of your extremities, as their fading light lies waiting to engulf you. Yet all pain wants is an embrace, a hug that pulls you back to you, to the divine realm you keep avoiding.

But the show does go on, and the music surely plays on. And our dreams, they die in restless ripples, silently whispering words of forgiveness to our oblivious souls. And I know I always ask you the same question though I try not to, but it just demands to be let go. So, again, I ask you, what do you see? What do you see?

"On and on, does anybody know what we are living for?"

This symphony of waves is breaking the ocean's heart. It's sending chills into your eyes, slowly, steadily, down your spine, composing that stuttering poetic paralysis, imploring you to transform pointless motion into the multidimensional insight that can auto-tune these submerged instruments. So do what you need to do. Do what you need to do so we can play our music as we drown. And if we do, take some time to listen, then look at the forsaken waves we saved and tell me what you see. Tell me if I'm there. And when you don't find me, pretend this was our goodbye song.

"Outside the dawn is breaking, but inside in the dark I'm aching to be free."

The show was a no-show. I was never here. And neither were you. The water was breathless make-believe. And these dreams were children of delusion. And all the dreamers we know are dead inside. Still, no one can see you. No one can feel you. And yet, you keep going, still. Why? Because I'm practicing to perfect my art, tugging and twisting these cursed heartstrings until art becomes the explosion my tremors foretell - because everyone loves fireworks, because maybe then, someone will show up.

"I'll face it with a grin. I'm never givin' in. On with the show."

Blessed be the patient and the brave. And damned be the hearts that took and never gave.

"The show must go on."

~

"She softly whispered in my ear,
Forsaken."
Dream Theater

Resolution

"All the darkness in the world cannot extinguish the light of a single candle." 
St. Francis of Assisi

~

Where to start?

Unbent horizons and hollow cigarettes. Broken ties and eye-tearing smoke. Imaginary bonds and colorless daydreams. Dramatic plot twists and star-gazing epiphanies. Time-twirling questions and good music. Guest appearances and starring roles. Comfort zones and -

A new year comes with new promises and new surprises, a new you and a new me.

~

Her eyes, they spoke of words unsaid and torn manuscripts that were never read. They blinked with the sound of the turning pages of an untold tale; eyelashes that could paint fiery courage pale. Yet, the voices recurrently told me that silent songs and buried bones share an eternal friendship, that a breaking heart in a broken home is an open door to an empty room, that there is an infinite light and a single candle staring down all the darkness of the multiverse, that there is a forgotten hourglass beneath the chest with sand that smells of fraudulent heartbeats, sand that shakes to the sound of the fractured violin and its stuttering echo, both jumping the rope of this infinite loop. But when I looked at you, none of this ever came up. When I looked at you, the voices just wanted to listen.

Her eyes, they spoke of stars and constellations, scattered across our interwoven dreams.

Her eyes, they spoke these heart-pressed lines. They sailed the waters of remixed rhymes. But I was taught to trust no one, not even myself. I was taught to notice the invisible, to make long-distance power plays -with people who didn't know the power-play dimension- right before the end of the game, to lose in every damned dreadful way before I land my final strike. Throughout the years, I learned to doubt every line and definition until I forgot my own shape. I learned how to map lies on someone's face and how to lose mine in the frozen shadows of sinful icebergs that bear neither name nor memory. I swam through letters just like these until I lost sight of the shore and I never looked back because home became an array of pixels beyond a screen. There, I pulled three roses up my chest, through my trachea, and I laser-blasted them away from my eyes into 'virtuality' slipping what was left of my dreams into the pockets of blessed fictional characters. Then I filled that cardiac space with songs that wore a perfume similar to that of the crack-ridden petals that fell off.

Her eyes, they spoke of future visions paved inside the hallways of the Grand Design and old childhood swings that unknowingly operated at the frequency of the Golden Ratio.

Where to stop?

The dreamer and the dream. A candle in the mirror. Words in his heart. And music in the dark.
The dreamer and the dream. A play of light and shadow. An addiction to fiction. And a thirst for reality.
The dreamer and the dream. The truth behind the veil. A tale of myth and legend. An empty holy grail.
The dreamer and the dream. The chill upon your skin. The tears that won't come down. The fracture in your crown.
The dreamer and the dream. The broken beat within. The game of love and pain. Rays through your windowpane.
The dreamer and the dream. The mirror in your eyes. And the love in your words.
Listen.

Her eyes, they speak.

So listen to the music sitting behind the countdown.

Five. Four. Three. Two. One.

~

"Either define the moment, or the moment will define you."
Walt Whitman

Bulletproof

"Lost my heart

When I found it

It had turned to dead, black coal."

Sixto Rodriguez

~

He shoots.

Imagine an ocean covered in clouds. Come down, and through. And look right. If you look closely, there's this thin horizontal space hovering in-between white and blue. And that's where you're suspended. Now, if you have water on your face, then you must understand, deep down, that one must not dwell in metaphors, no matter how swell the reflections on the waves or how comfortable that bed of clouds.

But everything's interconnected and it's beautiful. And while the two voices in my head tell me that the universe is within and that all the colors of the world extract their ink from your retina, the third voice sings the discordant chorus in the background: "Run, quit and disappear. Get back to bed." And it makes me wonder. It makes me wonder if all this wondering is coded in the same pattern my feet always sculpt in the terrible sands of reality. It makes me wonder if I'm at least a good enough runner to get some sand up there with the useless dust -at the turn of my chin- on that mirror. Maybe that way, the guy in the reflection will appreciate the effort and let me fade away without the extra bullets in the back of my head. Maybe one day, your reflection won't let him shoot. And they'll both watch us walking away into this hellish madness, painting gardens of bliss under our feet.

Are you fearless or are you too afraid to even realize what it is you fear?

Are you fearless or do you just have nothing to lose?

How can you be both fearless and loving?  It stars with an F.

[...]

If only you knew my story, maybe then you would understand why I vanished; first last sorry goodbye.

Perspectives and interpretations dizzily spin above two concentric circles, and the colors, if any, shift from warm or cold on the light spectrum - nothing to declare.

Enter dark cold rain. An old white hoodie with blood-orange stains. The river flows in you and so too does the light from that train. The mind wanes and wails and trails behind the rhythm so you put on your headphones to follow the pain and silence the source that echoes it... that maimed heart, masquerading as this crooked hand, bent to write all this 'inkkrap' just to get through the night.

[...]

The broken deconstruct the script. The bent twist the tale. The dreamer designs the metaphor. The actor salutes the empty stage. The dust seeps through the mirror. The clouds impersonate a smoke screen. The story becomes the characters... or is it the other way around?

He bows.

~

"But don't bother to buy insurance 'cause you've already died."

Sixto Rodriguez

Child

"I'll be yours
When it rains it pours
Stay thirsty like before
Don't you know that the kids aren't al-
Kids aren't alright."
Fall Out Boy

~

I need to do this well. I need to do this right. If I don't, then I'll have nothing left to hold on to. If I can't jump over this wall at the edge of my fingertips, what does that make me? I tried on many labels and none of them worked. If I can't write anymore, what else should I do? If I can't arrange the words in a way that makes me feel something, how can I genuinely move anyone else? If I keep forcing this by intentionally lining up letters to face my existential crisis for me, will this headache go away? Why are all the holes in the ground waiting for me to dig deeper? Why aren't there any holes in the wall? I'm just tired and out of breath. And I need to let things out. But I can't write anymore. I can pretend. It's very easy to pretend, as you can see. But like most things in life, this is bullshit. I'm sorry.

Now, I must dedicate this to this voice I can't recognize as my own. And as it now silently transforms my dedication into the empty acknowledgments of a worn-out novel made up by the blank pages it contains, I would like to thank, most impassively, the dark shadows in between the papers, putting the desolation to light and mysterious sleep. This is the emotionless story I make-believe about all that within me beats in vain. And it now ends with your eyes, gazing as blankly as they should.

None of this was supposed to happen, but it did. It happened and I didn't. And if I could destroy all these mirrors I call metaphors, I would. No, I wouldn't. I would never give up this illusion for the terrible delusions of reality. I would rather live forever in this uninspired lack of inspiration than accept this collective brokenness, that grand affliction pushing against my eyes, against the heart I hid behind the void, my beautiful impermeable void that challenges this failing world to pierce it.

Yes, the world is ugly but my horizon is unbent. My horizon is unbent. The world is ugly but I live on because there's good music and good people - and because Christmas is coming. The world is ugly but there is a loophole in this loop of holes that have me by the neck. My horizon is unbent. The world is ugly and I can't breathe well. The world is ugly and I can't breathe right. The world is ugly but I have you to hold on to. The world is ugly but there's no wall I can't jump over if I know that come dawn I'll have your skin at the edge of my fingertips. The world is ugly but all its labels blur out whenever we lock eyes or hands or bodies or the door and the world behind it before we go to sleep. The world is ugly and I can write time into oblivion just to make your heart skip a beat or two with mine by its side. The world is ugly and I hope this is making you smile because I broke all these walls just to get here and hug you. My horizon is unbent, you see. The world is ugly but I'm hugging you now and this is wonderful even if it's not really happening. In my head, the world is, sometimes, almost as beautiful as you are.

And thus we knock on the door beyond chaos and perdition. And then we knock some more. We play hide and seek with the magic seeping out from each side of the veil. Sometimes it's light. Sometimes it's pale. And sometimes it's dark. But there is a remedy in the music that moves all that is frail. So can you hear the beat in this awfully composed cure? Can you hear the faint melody knocking on your chest? Can you see the magic painting your face? Or are these blank pages on the surface of your eyes?

As I said, I can pretend. It's very easy to pretend, though you might not see. And like most things in life, this is a love letter disguised as bullshit. And i'm not sorry anymore. I'm intentionally lining up the next letters to face you.

uoy evol I

And it now ends with your eyes, gazing back at mine.

That unbent horizon, this is it.

~

"And in the end
I'd do it all again.
I think you're my best friend.
Don't you know that the kids aren't al- 
Kids aren't alright."
Fall Out Boy

Flow

“Solitude is fine but you need someone to tell that solitude is fine.” 
Honoré de Balzac

~

The theta-gamma-solfeggio stream runs the waves beneath the dream. In truth, we are nothing. Silence the delusions. Silence the noise. Focus. There is only the absence of you. And this. Closed eyes, open. Open eyes, close. Inhale the invisible rose. Beneath the wave, a heart once dove. In truth, I am nothing. Beyond the wave, the pupil moves in wonder. Jump into the void. The music stops. The links are absent because you are not me. You are not nothing. But I'm trying to show you what it means to be meaningless. Let me. Are these your eyes? I want this to be different. Are you?

In here, there is no you. In here, there is no me. There is a breathless song of a fraudulent freedom fighter trying to break free. In here, I know that there, there is where I want to be. In here, I think that here is gone and there is no there, that there is nowhere. Now take a pause. Pause. I said pause. What do you see? A very exact and delicate nothingness.

The voices rumble in your head, melancholic and misread. What is the origin beneath the concept that drives you out of equanimity? How uniquely insignificant is your identity? Are you searching for yourself in the corners of your imagination or are you forging this painting with red crayons in your eyes? Where are you on the envy/self-righteousness spectrum? I see that you are split between transparency and paralysis. No pause. Is there a link between the meaningful and the meaningless? I see you unattached from the concepts you replace your experience with. Now tell me, which is the holiest of all, Love or Faith?

The waves are as quiet. This dream is on repeat. In truth, I am like that Nightwish song, deep silent complete, drowning quietly in a completely unsound world beneath bursting bubbles of beautiful music.

So take this, please. Wrinkled face. Unpolished eyes. Broken nose. Broken smile. Crooked neck. Asymmetric heart. Darkened lungs. Shattered blood. Take it. I don't want any of this. I can't even capture my own moment, my own feeling, the glass that bleeds underneath the skin of these words that still can't spell home. Please take it and leave. I wrote this because I couldn't breathe. It's what happens when you unplug a dysfunctional brain. Raw data of a soul redefining refined insanity under the moonlit resonance of artless synchronicity.

Call it flow. Name it transient hypofrontality. None of that matters. It is but the thought of death that makes you dance - though all this crap comes without a beat. The origin is not the key. What matters is what you see, what you see in the patterns, the ones that move in you as you float toward your purpose, or away from it. My dance has always been about autumn leaves, about holding them on the surface of my eyes before they hit the ground that is me.

Enough. Enough is more than enough to keep you grounded. And all this is nothing. Nothing is more than enough for me to stay true. And I'm not doing well because I know that alone is all I'm ever going to be. Alone in my mind, with a mind that writes meaningless words on an empty canvas and then falls from his daydreams into the fetal position to sleep inside the letters' curls. But these letters are not you. These letters are not you.

The waves are gone. This dream is on repeat.

This dream is on repeat. And you're not here with me. You're not here with me.

You're not here.

You're not.

You.

~

“If you've never eaten while crying you don't know what life tastes like.” 
Johann Wolfgang von Goethe

Check

“Boring is the right thought at the wrong time.” 

Jack Gardner

~

Seize the moment, if you can perceive it. Wait but what if you're running short on moments? What if you have the wrong glasses on? What if everything is monochrome and you're invisible? What happens to moments that never make it out of time?

Let the moment fill you. Transform the edge of your skin into a boundless ocean of existential stupor. Write about the unpredictable high side of the melancholy before the feeling is gone. There is a light and it never goes out. But why?

This is a moment. Can you read it? Can you feel it? Is this your voice or mine, your mind or mine? Are we sitting on a bench and having a conversation or are you just messing with my head? Who are you, anyway? And why would you put a comma there? Where? Where are we? And why doesn't any of this make sense to the suffering?

Who cares, anyway? I'm not unhappy. I'm content that I understand how and why things are the way they are. I'm happy because I have had the chance to meet wonderful people in my life. I care about moments because they're kind of all I have. Moments either symbolize the start or the end, though they usually appear masked as whatever's happening in between. 

Nothing's happening in between. It's all a game. But people matter. No, they're just figments of your imagination. No, they're real and it's my duty to take care of them. Society is a ghost concept - you know that. I'm starting to feel that you're the only ghost here. How can you lie to yourself when you know this is all an illusion? I'm not lying to myself; you're lying to me and it's a DELUSION - for the most part. We've been having different versions of this same conversation for years - isn't it time to get over this mundane schizoid monologue? Isn't it time for you to tell me about my real fears and insecurities? Well played, old friend. You're not my friend - you're that nothing in between.

The melody is on repeat. It's always the same note, and almost always the same dialectic on that shore that tells the waves to call it Horizon. Hope and delusion, justice and evil, recognition and selfishness, love and despair, freedom and basically anything that stands in its way. The waves are set to the same old playlist. And none of these people can tell their waves from someone else's. They're all confused because they've forgotten about the light shining down on everything, every moment, every moment.

Some think that life is about turning the duel inside into a duet. Others believe in a third, secret player hiding in the audience. Some people are cold and hungry. Others have died on the highway of trying to figure this whole thing out. Some are born with superpowers they can't see. Others hope they won't die before they get the chance to make them see.

The moment is gone but its echo lives on. In art, in memory, in the quiet commonplace distance that exiles most kind words and that other one, that terribly loud one with the broken road at the end of which everything becomes calm and still, when you find the heart you thought got crushed in between this breath and the next.

Moments come and go. But you are here. You're right here and people change people.

Moments come and go. But I'm here with you, in the undefined meta-level that only meta-levelers understand. We're sitting in the numb paradoxical void of metaphorical euphoria. We're sitting on a bench - with nothing in between.

Seize the moment, if you can feel it.

Your move.

~

"Time is an illusion."
Albert Einstein

Wolf

"Tout ce que tu ne sais pas donner te possède."
André Gide

~

...that the roads lead to nowhere when you have walls around your heart.

There are outer obstacles and inner scars, wounds at the surface and fractures that tear you apart. There is the decision or a lack thereof, the drive to authenticity or a falling to pieces, the will to build on goodness or a forgotten painting about forgetting - forgetting what?

Then there's you and you and everything stuck in between.

Then there's me and it feels as though I've lost all my pens, as if the words perceived my thoughts as unfair taxation laws so they drowned all the instruments of expression into the realm of immaterial ink and then wrote themselves off. Thus, I now find shelter in words that describe how the old ones used to arrange their letters in me. I know that my eyes have been closed for a while, and that none of this will open them because the roads on my eyelids are flooded with apologies that never made it out of my head - unless dreamworld counts.

For now, the dot follows the patterns that match the mysterious code of identity. The dot can't always see the dot within. The dot breaks itself into symbols under which obscurity hides meaning and meaning hides light. The dot sees itself in other dots and, sometimes, the other way around. The dot has no understanding of scale because it has never met a unit. The dot's favorite geometrical concept is the infinite line it can't wish into being by itself. The dot knows of the third dimension but pretends that it doesn't exist while it enjoys the two-dimensional labyrinth. The text, the paper, and the pen, they're all predetermined. But the dot is free. The dot is how much love you're freely willing to give. The dot is the handwriting.

Different people feel different things. But perhaps my void and yours are the same. My void compares itself to the empty center of a spider's perfect web, the eye of the secret storm that sees the Nothing in everything and feels the Everything in that Nothing. Perhaps that's what I hope to understand, the calm infinity dwelling in the nothingness of this beautiful song, the calm song in everything and everyone.

But the words don't always fit the music. For between the point where symbols fail to carry the feeling and the point where the heart can no longer beat off that feeling's weight, there is a line of lonely letters living lovelessly in the blind lavender ink spots of the imagination.

I watch and wonder, wonder and watch. I watch the games at their fingertips and wonder how aware they are of the game inside, the one between the hero and the villain, the victim and the pretender, the warrior and the chess-master, the composer and the lyricist, and my personal favorite at this moment, the ego and the anti-hero.

The game is won when the big antonyms become synonymous. I don't know them all. But for now, I can recall that sometimes unreading is reading, covering is uncovering, giving is receiving, unlearning is learning, breaking is mending, dying is living, doubting is suspecting, growing is a return to the child and, more often than not, I am you and you are me.

For now, in the seemingly perennial distance between being and becoming, I see a child riding on the back of a wolf, a grey and white wolf that was born in the snow.

I wonder where they're going next.

~

“Then stirs the feeling infinite, so felt
In solitude, where we are least alone.” 
George Gordon Byron

Star

"And I just wanted you to know."

My Chemical Romance

~

An eternal feeling unhesitatingly and continuously screams in the depth of your dark abyss. Echoes bounce off the walls, fueled by a resentment toward the conditions of time and space. It says that it is unconditionally timeless, boundless yet wonders, under its breath, for how long it's been stuck in this hole. 

Some nights are broken, dead and true. Others are tender shattering dew. 

In the midst of noise, words crawl on a sidewalk. It must be really loud in your head, mockingly whispered the abyss. Even your words know there's no way out of here. Is our truth cold enough to puncture that heavy soul you so terribly wish to abandon? Paint the pain upon the brow, disillusioned by delusions, and punch the rain into your eyes, for this is but the world of lies. Like an inherently divided coin, sailing through the cobblestone, I wonder which side fortune will pretend-bury today, as its brother washes away under this dusty broken loan. Alas! Know that hell is not bounded by the red corners of your eyes. And so you must look further and beyond that gaze you distance yourself from - for the deeper you dwell, the closer your home to hell. 

We're in this together, said Heart to Horizon. 

Light music ensued. 

We're in this together, said Mind to Pattern. 

Mute lights fired through. 

Why is no one dancing? The soul wondered. 

I am, echoed Silence. 

But no one heard it. 

So listen. Listen to the shadow dancing in the rain, singing the praises of creation. Listen to your story and everyone else's, for a single thread can only resonate within its web. Listen to the lines hiding in their retinas, the ones their mirrors forget on the other side. Listen, second-most of all, to your silence. 

Some nights are broken, dead and true. Others just never make it through.

When time loses meaning, and you feel that you don't belong in this body, or at least that this planet is not your home, it makes you wonder if it's simply all a dream. Yet you can't help but try to make sense of the contents of your existence. Thus as I attempt to hug you, our feet planted at the center of the bottomless rift of our fractured identity, I find that you are as opaque and immaterial as I am, that this open-ended monologue is a meaningless echo that bounced off all the voices in my head.

I believe the main difference between the suffering individual and the individual whose brilliance is widely recognized is identical to the difference between difference and similarity, because empty space is empty, and because Divine Perspective rules them all.

Some nights are broken, dead and true. And the stars align with your suffering because they want you to be you. 

What about me?

What happens to me when the music is gone? 

How bright will the hour of my star shine when I pass?

How short is the breath to failure? And how deep is the road to contentment?

What about you?

What do you see in the horizon?

And how does silence make you feel?

How do you fill the many blanks between these lines?

And which of the seven versions of you is blinking right now?

Some nights are broken, dead and true. Others bless the divine in you.

~

"One who doesn't know how to dance, says the floor is crooked."

Nepali Proverb

Momentous

“In chess, as a purely intellectual game, where randomness is excluded, - for someone to play against himself is absurd. It is as paradoxical, as attempting to jump over his own shadow.” 
Stefan Zweig

~

A melody of subtle happiness travels in floating musical notes around the center of my eyesight in a masquerade of invisible birds and planes falling into shreds of feathers and paper, settling on a heart that beats pain and anger disguised in a helpless symphony of sadness.

One, a shortness of breath. Two, an echo of a dying heartbeat. Three, a mind beheaded by confused and elusive variables with the constant ax of pain. Four, her eyes were once full with the depth and breadth of life. Five, her eyes are now a broken portal to a non-existent dimension. Six, flowers wither. Seven, flowers wither. Eight, flowers wither. Nine, number-shaped bullets shoot the music down.

Discrete hands softly encircle the kitchen clock that makes up her neck. She can't tell the time because it's hiding beneath her throat, face down. But her breath smells like seconds. And the focus shifts from the heaviness of chest pain to that of a headache as a single minute dives through her blink and into her swallowed pride. This clock is broken - it lost its parts in a battle against time. This clock is broken - and her discrete hands were not her own. This clock is broken - and it took them thirty-one blinks to slowly slit her throat.

Maybe things don't need to make sense.

But assuming that things do make sense. Perhaps I'm seeing you through multi-shaded spectacles, with thick lenses stuck between the color of your soul painting its outer layers and the faded hue of mine lingering on the worn-out interior. Maybe everything happens inside the lens and everything else is just the illusory reaction of the universe. Maybe we should all take off our glasses to see things for how they truly are, how we are all one. But then again, we are not all one. We are free to become whoever we want to be. Whether you want to be a jet black anti-hero or a desert gold victim, a greenish maroon protector or a blood red mercenary, whether you're a frozen ocean blue that paints paralyzed waves or the fiery purple privilege of the night sky, whether you're the most broken grey of all or the light-ray that only made it to grey blocks of letters, we are not one. We are many and each one of us must discover his own true color, dip that dry, unused, magical brush in it and finally get to paint beneath and beyond the borders of this line drawing they call 'life'.

So to each her own passion, his own poison, her lying truths, his truthful lies, the moments that meant so much to her though they never really happened and the moments that shaped the edges of his bed while she was half asleep. Reality recurrently dies at an alternating frequency. Yet the Truth is right there, at every corner and every turn, in every wave and every curl, engraved on the heart of the hero, and questioned in the mind of the weak. So send apologies to the ego of every weak hero because they forgot their introspective glasses in the house. And send flare signals for every starving existentialist who's writing stories with the crumbs that were supposed to take him home.

The ice, it either melts or breaks. And the same goes for glass. So whatever you're made of, sooner or later, you will stand in the middle of the line that joins your melting point and your breaking point. And in a moment of momentous divergence, you will make your move.

'Who you were, who you are, and who you want to be,' that's seven-dimensional chess with three demons and an extra player you cannot see. We are not all one. We are the seven that only become one after twenty-one handshakes, two broken mirrors, and a one-in-a-million mixture of humility and courage.

So blessed be the titans and the knights of honor that unknowingly know the difference between a game of chess and a set of drums.

And blessed be the brave.

~

"You've gotta find your big, gigantic drum kit."
Nick Andopolis

Death

“You are afraid to die, and you’re afraid to live. What a way to exist.”
Neale Donald Walsch

~

They got it all wrong. But I see things for how they truly are. That's what most tell themselves in secret, in-between breath and breath, in repressed silence. We all fail to notice the most integral part of reality, that we see nothing, nothing but ourselves, deformed.

They got it all wrong. And as they engage in thought while recurrently failing to pause the grand game of delusion and blind trickery, they also fail to notice that no matter how deep the intellect digs, the finite hole and its neighboring treasures will never account for infinite weakness.

They got it all wrong. And though it's admirable that they can see in the curls of simple letters old particles of dust dancing in fresh yellow sunlight, they still fail to recognize the music. And I fail miserably just the same to rescue the timeless tempo of the soul drowning in this ink.

They got it all wrong. And their pale figures are like beautiful old buildings tainted with the cheap paint of modernity and a touch of make-up to hide the battle scars. They left the castle and paved the circular road to vanity with expensive clothes, walking naked in copies of shoes as polished and tarnished as their faces.

I got it all wrong. I got it all wrong because I buried anger in the deepest layer of my being. And the calm silence that ensued continuously reminded me to forget that all these people were going in and out of my house faster than this lucky smoke I'm breathing out.

I got it all wrong because I write about temporary failures because I am both temporary and a failure. And I write this nonsense down as these words words fall from my eyes onto paper in a blink. So here's one for the upcoming death of my parents. And here's two for the people I love the most, since they're already dead. But that's okay. It's okay because we all paint death in broad daylight with the letters our lips draw - little bits of earth that align, layer upon layer, above our cold and motionless bodies beneath the gravestone that invisibly reads: How soon is now? 

Everyone you love is going to die. And that's okay because death is a good thing. For while the doors of life are a rite of passage from one lie to another, death is the gateway to truth and justice.

To be fair, there are some things here that are worth delaying death for. By 'some' I mean 'two', Love and the Human Spirit - Love and Art for short. And if by any nonrandom chance you manage to add purpose to the recipe, I have a feeling that death would take the long way home to listen to what kind of music you can make.

Now, things here are either for rent or immaterial. And all that is immaterial is either a well concealed lie or a mostly forgotten truth. Now the cool thing about mostly forgotten truths is that they're right there in front of your face resonating with the vibrations propagating across your shirt. And the coolest mostly forgotten truth is that other people are wearing shirts too.

My heartbeat is not for rent.
And my voice is my voice.
Great performances unfold in dramatic monologues. Yet memorable ones write future history in and with brief moments of mixed frequencies, voices that team up against life for the sake of an honorable death.

So run. Run toward death with your favorite soundtrack beating inside your invisible headphones. Run toward death and touch every heart you meet with grace. Run toward death and give it the parts you really want dead. And then, with whatever remains of you, run through.

~

“To the well-organized mind, death is but the next great adventure.” 
J.K. Rowling

Wind

“There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns."
Chuch Palahniuk

~

I need to get this out.

This silent wind I breathe in is sharpening its heated nails with my lungs, scraping blackened red paint off the wall that falls for no one. So I light up one more lucky cigarette to fight fire with smoke. We all depend on things to make it through the night.

Whatever truly carries your breath and allows your mind to traverse this multiverse of lies, make sure you're going in the right direction. And whatever you push back onto the world with your lips and feet, go for watery brushstrokes of Art, on the right pages of earth and wind.

It's still there and I can't get it out.

The music fades like a vanishing painting and I don't know the spell to bring it back. What I know is that the rhyme is lost to me because the heart I once knew had its drums punctured over time. So what happens now? We light up one more for the sake of ancient fire.

There are two kinds of people. There are those who write the song title first and those who write the artist's name first. There are those who are busy in the race to become the best slave in the system and those who are busy becoming the best person they can be.

What if nothing comes out?

Ring the doorbell and break the wall. There are no doors beyond this smoke. You fall in the well, the well you sow, the well you sow before you broke. This reddish dawn is drawn with blood. And this rain is the ash of all your drugs. So with flooded lungs and shattered drums, reap the pain on which you choke. Breathe in hell,

The presence of missing links underlines a meaningful absence of coherence. What eventually comes out is thus unsound at best and, at worst, me. But the resounding question remains: Who are you? Perhaps you project what you miss onto the blank spaces I leave between the lines, here, and, in-between words and letters which, there, fail to materialize.

The first rule is to partially respect chaos. The second is to find meaning in the song. The third is to allow yourself to get lost in the melody. The fourth is to let go of the parts that don't belong. The fifth is to stop counting rules that don't make sense. And the last rule is to devote your life to understanding the constituents of the glue that stitches rules onto chaos.

The hazy daze is spraying crazed footprints in my head and the stranded pen is stuck in the shadowy circle it sketched to project and protect itself. And I don't know. I don't know anything. Maybe the way for better days is coded in musical notes. Maybe it's in the key under the blind illiterate mat that reads Hope in Old English Text below the nonexistent door on the wall I couldn't break. And maybe there's nothing here. Maybe there's nothing here.

In a state of chaos, there seems to be neither cause nor purpose. In a state of chaos, there are multiple patterns and a single question. And the question shines in multicolored layers in your eyes:

What do you see in the wind?

~

“Words are wind.” 
George R.R. Martin

Imagination

"Hold fast to dreams
For if dreams die

Life is a broken-winged bird

That cannot fly."
Langston Hughes

~

A drum-roll is composed of two beats.

I fell asleep to the vague image these words put in my head. And perhaps, I never woke up.

Ever since I was a kid, I've been trying to reduce life to a system of ideas. Meanwhile, I also attempted to develop a system of principles for the purpose of ethical navigation. Over time, the two systems became entangled like two pairs of shoelaces fused together, joining the two right feet of an enigmatic human being who can only walk in circles.

In my head, the systems are invincible. Also, in my head, reality and fiction are knit together into the same mask I hide in the world of mirrors.

I don't know who this is or why he's writing with a particular shade of purple. I don't know if these words are the blood of dawn extracted from an afflicted horizon, above the sea of doubt, and below the sky of hope. Maybe they're just modern make-up for a play with no real script, a demonic game between the voices in your head.

In my heart, there is, to the best of my knowledge, nothing.

So why would you take a worn-out and empty container?

There are two nights in this ink. One of them is mine and the other is, naturally, yours. Now each night contains a vision, with a dream lying there underneath. In mine, I walk and run, and walk and run, and walk, and run. And then I stop and stand still. And as the deep dark dream pretends to be me, I pretend that I'm okay, and that nothing's wrong, closing my eyes to the idea that taking this deep breath will fix the broken dawn. Yet I know, deep down, that I'm dissecting the constituents of that air I'm breathing in, looking for a scented trace of life as my feet step on the guts of the dreams that committed suicide in my head.

That was one of the voices in the play.

Now it's your turn. So are you watching closely?

Are you running or walking?

How dark is your night?

And how dead is your dream?

Is the map beneath your feet a circle?

Is this all confused fiction in a real mirror or is it the purest reality in a fictional mirror?

Do you know what a mental drum-roll sounds like when the drummer's eyes are closed?

Close. 

Play. 

Listen.

What do you see? What do you smell?

Are you watching closely?

A drum-roll is composed of two beats.

~

"We sat in the car

& the night dropped

down until the

only words were

the crickets &

the dance of our voices.

& for a moment 

the world became

small enough to

roll back & forth

between us."

Brian Andreas

Starlight

“Words are a pretext. It is the inner bond that draws one person to another, not words.” 
Rumi

~

The rain was falling softly on the two sides between your nose and your cheeks but you weren't blinking. And the sky was dark and starless because all the light and all the stars had found dwelling in your skin and in your eyes. And there was this moment, this very specific moment, when I was watching you and it made me run out of words. So I closed my eyes and ran after them and made them line up against the wall of my heart:

"You resonate at a frequency so intensely beautiful that it confuses the harmony of the golden ratio."

[...]

And as she was dancing she drew Metatron's Cube with her hands and that made me want to call back my only two imaginary friends from their endless pursuit of the metaphysical holy grail. And I did. And they instantly came because they knew I wouldn't contact them after so many years unless it was serious. So picture the scene: Michael, the best student in the mythical Pythagorean school and the first friend I ever made, was sitting to my left. He was the one who taught me to see the numbers in people, to visualize their attributes, their potential, and, naturally, their weaknesses. And to my right, sat Socrates' secret disciple, and the closest thing I've ever had to a brother, Gabriel. He was the one who taught me to see to the music in the numbers. Michael and Gabriel were both eternal rivals and best friends. And this whole time, they thought that they'd figured the secret of the universe, that they had nothing more to learn. Michael put it in an equation (6+12+23=20) which he discovered through Sacred Geometry, then he encoded that equation in the Triquetra symbol and convinced me to tattoo it on my forearm. Gabriel said there was an easier way that Michael had missed. And then he showed it to us with his magnificent handwriting. (Gabriel didn't have a voice, as far as I knew, but he could draw words in the air that only Michael and I could see.) And even after so many years, I still remember how the words floated above us:

The secret of the universe is revealed to you right after you honestly smile to a child, and right before they honestly smile back, in the silent music of that split-second-almost-blink-thing the kid always makes to accept your smile.
P.S. You're right, Michael. It's also 6+12+23=20. 

[...]

So as she was dancing she drew Metatron's Cube with her hands and that made me call them back. And I did. And they came, and they saw that they were conquered by what her divine dance drew in and beyond spacetime. And then I smiled at her and she kinda blinked and smiled back.

Then she laughed.

That's when Michael said: "Where are her numbers? Why doesn't she have any numbers? Something's wrong, Gabriel."
Gabriel was smiling ecstatically, which usually only happens when he claims that he can hear the Music of the Spheres, or when Michael attempts to draw the Flower of Life.

"I think she can see us," whispered Gabriel.

~

"The night was dark

And the dark, blue

And I was both,

Split in two.

The stars were bright

And the music, true

And you were the light

That went through."

Unknown

Music

"Inside these pages you just hold me."

Ed Sheeran

~

My dreams are burning in the sky. A part of me calls them stars, the other, dust. And I don't know whether my soul is made of cosmic dust of a star that died, or of one that is not yet born. And while confusion lays its empty weight upon my numb and wasted mind, I secretly pray for cold rain to protect my dreams from the fire. 

My senses fail and I feel no pain. The 'I' I gaze upon inside escapes me and I'm too slow and exhausted to try and catch up with it. My heart keeps failing to materialize. But why?

There must be some explanation for this non-feeling phenomenon. And there must be something more here according to my calculations. Or perhaps I've made some miscalculation. But where?

What is my heart waiting for to show up?

I keep telling myself that I've understood every step in this ancient journey of mine, but have I really? Am I lying to myself like they all do? Aren't we all the same at the end of the day?

Who the hell are you? 

Scratch that and rephrase.

What the hell have you become?

[...]

What are words when you no longer know who you are? The symphony that has been playing in my mind all my life is gone. But where to? 

The chairs of the artist and the composer have disappeared. Oblivion. There is no proper wording to verbalize the situation. Thoughts fade. That is all. Thoughts fade. And like a dying autumn leaf that bears within its patterns the sleepless marks of every season, I fade too. Even the state of spontaneous expression fails to find the crooked path into my soul. Perhaps, the latter has gone out of its way to find another. Or perhaps, it's busy playing hide and seek with a kindred mate. All I have here is a small number of songs that recurrently shape my lips and state of mind. And since all I had has become a forgotten number of ancient memories, I intend on filling that space with whatever comes next. Whatever comes next I hope I earn it. I hope I deserve it.

Meanwhile, blessed be the noble knights of honor that have reflected light upon my broken road.

And blessed be the brave.

[...]

The warm wind hums a long lost melody that loosens life's tight grasp on the heart. And yet the music does not go in. It just takes a numb machine out of its cage for a dance.

And they dance to every sound because they know that everything is music.

It's in the slightly audible whistle in the movement of smoke as it parts ways with my breath to seek a more inspiring partner. It's in the sharp knife in bloodied fingers as it slowly moves against the violin in all my flashbacks until all the strings are torn and I fall asleep. It's the same music that made the metro stop and listen to how a little girl and a very old man were exchanging genuine smiles that transcend ethnicity. It's in the way your nose and my heart wrinkle at the sound of your laugh. And it plays in my blood whenever I imagine all the memories we're never gonna make together. In sad and happy moments alike, the music is there. And it's beautiful.

I wish I could describe the dance but I can't. 

So what do you feel? Is the music really there or am I imagining things? Don't answer that.

Answer this.

Is there music when you close your eyes?

~

"I just wanted you to know."

My Chemical Romance

Remedy

"And you run and you run to catch up with the sun but it's sinking
Racing around to come up behind you again
The sun is the same in a relative way, but you're older
Shorter of breath and one day closer to death."
Pink Floyd

~

Time flows along these lines as they progressively grow sickened by my words. Time glides through the stream of your heartbeats, dodging its micro-seismic echoes and their heavenly cosmic beat. And time drowns beneath the line pulling down with it all the colors of the sunset. And as time fades into the calm and quiet watery waves of the mind, I lose sight of the infinite scene.

Time is buried along with all these colorful thoughts and yet there you are. There you are, the dream-girl who separates sky and sea, day and night, heart from body and mind from reality. And there they are, the edges outside which everything is blurred, the eyes that silence the world. And there it is, the smile that redefines both my heart and horizon, and every single word in between.

I, both fortunately and unfortunately, do not believe in time. But that doesn't matter because, either way, these misarranged words are mere ashes of an aching mind decorated with the metaphorical dust of a fraudulent self-destructive attempt at a heart. And it doesn't matter because this wind around me does not know the difference between the ash that once faked meaning in a blazing heart and the dust that disfigured pain, killed it, made a statue of it and then built a maze of walls around the statue only to realize that it was all in vain because metaphors bear no remedy for the heart.

So pretend. Pretend that you're walking in the slowest motion while all that's around you is restlessly running in the opposite direction. Pretend that your mind is hovering, exploring minds and structures, systems and thoughts, the origin beneath and beyond, and the almost indiscernible idea that seems to make all the difference. Pretend that your heartbeats are floating like bubbles, rushing toward that bed-ridden sunset that never really happened because it knows that the horizon is more empty than the phantom concept of society and even more so compared to this vacant chest of disappearing ink which believes in neither concepts nor horizons. Pretend all you want, really. Meanwhile, I'll pretend that you're only running for cover, that your mind is in fight mode because it's undecided on whether your heart is in that flight mode with underdeveloped legs, or in this one, with dormant wings.

Through and through, I've always walked alone. Surely, I've met individuals that were beyond grace and wonder, though they sadly couldn't see it. Yet though we walked side by side in the blessed moments at which our roads converged, I somehow always walked alone, and deep inside, they did too. But, there were other moments where I looked behind my shoulder with that slight turn of the head, and you were always there, the heavenly jewel that keeps the volcano from erupting. Through and through, I've always walked alone, but you were there too.

In any case, the music plays on. The melody fades inward into me, and outward into another tune as the rhythm within fluctuates in a manner mystically proportional to the two oscillating heartstrings I have left...

But regardless, whether your aspired home is on the mountains of power or in the stars of love, whether you seek strength and value to hide your insecurities or a make-believe romantic fairytale to feel worthy of love, whether you fall off the edge of your pride or burn out and think yourself into a state of stardust, whether all you do is reducible to the love of power or divisible into a series of hopeless shots in a dark sky that's always missing the power of love, whether you know that your heart and mind are withering and the people you love are dying in their own special ways or whether you drown those dreadful waves in numerous kinds of addictions, time is running out. Time is running out.

Time flows along my words as they progressively grow sickened by these lines. The main upside is that words and times are changing which probably means that my worn-out roadmap of being and becoming has redrawn its lines.

It's time to go.

Come what may.

~

"The time is gone, the song is over, thought I had something more to say."

Pink Floyd