Movies

"And when you go don't return to me my love."
My Chemical Romance

~

The door isn't open. Maybe it never really was. But I can pretend. I can always pretend.

"Give me a shot to remember and you can take all the pain away from me."

The shadow of the unknown beckons. I can feel it stretching across the blankness of my mask. The long lost scent of childhood is either dead or undercover. And, I cannot yet unmask this state of shade. The same old heaviness keeps increasing in invisible weight. Let go.

Let go and know that, in non-random fact, the truth shines through your cracks and whispers to your eyes: 'Tomorrow, I will be revealed.' Meanwhile, acrylic delusions frantically blink, staring at whatever colors they'd been spitting on my face. Don't let go.

Bits and pieces of me may well be scattered across the enneagram lines. But, you... do you really think you're swimming in my stream of consciousness? Look around. You're inside your own head. For the lines that, in your eyes, blur out the rest, they're on the other side of the coin you always flip. And they were facing the horizon right before you shoved them in, right before you sold them out to flush the red sea of lies, the one you'd pushed out of your lungs just to decorate that beautiful boring room.

"You're just a sad song, with nothing to say, about a lifelong wait for a hospital stay."

This soundtrack is bruised and broken. It might as well be dead. But our pictures are in motion and they bear no frames - they extend; they extend to infinity. Now the question is right there. It's always been there. 'Are you watching closely?' Are you listening? Are your lines in the script tearing up the fabric of your heartstrings? Do you need to talk to the director?

"Drop the dagger and lather the blood on your hands, Romeo."

Get out. I can't always pretend.

~

"We all carry on, when our brothers in arms have gone.
So raise your glass high for tomorrow we die,
And return from the ashes you call."
My Chemical Romance

Cut

“In the cloud, reflections mirror reflections, cutting out the object and leaving only infinite emptiness.” 
Joseph MacKinnon

~

My hand was in yours. Your hand was in mine. And there was a moment where I didn't know which was which. Then, the moment was gone, and another one came. It was the moment of separation, slowly tearing the pages of the book we wrote in our minds, pages about the dreams that we carried in our hands, interlocked. Yet, right before that second moment ended, time froze. Time froze with the tips of our fingers barely touching and I knew that a blink later I'd be falling off your side of the edge like drawings of sands made of demons while you'd be falling, over and over, in water-drops, off mine, like an imagined suicide scene on playback.

But time froze because it knew we were timeless. And it just sat there on a dusty chair that had 'Faith' carved on its back, watching the motionless picture of Fear's sword of Doubt pointed at Love's heart of Hope.

Cut.

~

You're not supposed to be in the audience. You're not supposed to be in the audience. You're not supposed to be in the audience, watching an ego disguised as reason taking up the role of the lead actor. You should know that this podium is not only set for a grand masquerade where the truth doesn't matter. It's set for anyone who has something genuine to say. And everything you see on stage is but a staged symbol, a moderately hidden clue for what's going on behind the scenes. So get up and come inside for it is in the dark curves of your mind that you find the scriptwriters. And when you do, it will neither feel nor smell good back there because all your lies, fears and insecurities dwell in the ego's lair, fueling your quest for a nonexistent power. Maybe, just maybe, one day you'll find it in you to write your own script, your own lines instead of lying yourself to sleep.

~

And so we spend the time that wastes us and write stories that erase us. Then time just vanishes because the shame leaves no place for any other concept but disgust. And they stare blankly at the conscience that died with its mouth open and its eyes gouged, screaming two simple words for the child that ran away into the horizon, Come Back.

~

Once, in a nonexistent time and twice, in a place of delusion, a child ran into his reflection in the mirror and broke it. Both were running to find themselves but what they found was something else. The boy in the mirror found a broken hourglass of sand and water, drowned in mud. And the boy with blood on his face found an open locket with an empty picture frame and a clock that's always stuck at dawn. Each paced around in his room in recurrent patterns of confusion between the definition of a curse and the 'nondefinition' of a curse. And as they walked through life, the pieces of glass wrote, with blood and footprints, tainted puzzled words and painted worded puzzles. They met again, and again, in different colors and shapes, on the surface of other people's eyes. And many mirrors were broken twice, and twice, again.

~

Whether you break mirrors because you can't see yourself in them or polish them because they withhold the truest lies you've ever written, know that you are neither of the elements of the inner fight, nor are you the sum of the broken mirrors.

You're that person still sitting in the audience, alone.

~

“Love art in yourself, and not yourself in art.” 
Konstantin Stanislavski